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Live Reviews Music

Bat For Lashes takes big risks

Natasha Khan loves a concept. One of Bat For Lashes’ albums documents the inner journey of a woman who honeymoons alone after her fiancé’s killed in a crash on the way to their wedding. The most recent — inspired by Los Angeles and ’80s culture (in particular teen vampire film The Lost Boys) — has a character named Nikki Pink investigating a mysterious biker gang, the Lost Girls.

The same attention to detail goes into her live shows. In an interview filmed during rehearsals for her Meltdown performance, Khan speaks about embodiment, genuine connection and community, energy exchange, using dance to tell stories, introducing the new persona of the Mother Witch, the importance of growing and constantly trying to push herself, and the next Bat For Lashes album (inspired by becoming a parent).

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Live Reviews Music

Alison Goldfrapp makes a fresh start

Alison Goldfrapp’s The Love Invention is stuffed with chic electro dance anthems. So it makes perfect sense for her first solo album to make its live debut at HERE.

Part of London’s new Outernet development, it’s a high-tech venue four floors beneath those massive audio-visual “immersive experiences” that have popped up outside Tottenham Court Road tube station. The sound system is astonishing. A huge high-definition video screen covers the entire wall behind the stage. The bar is more like something out of a Mayfair hotel than the usual £7-Carlsberg-pints-or-bust situation at most live music venues. The floors aren’t even sticky. Essentially, it’s the kind of place where you could imagine 2000 sweaty bodies writhing on a Friday night while a DJ spins high-energy bangers from that booth one storey above the dance floor.

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Live Reviews Music

Yungblud combines spectacle and intimacy

Inclusion is important to Yungblud. His songs, which touch on everything from gender identity and prescription pharmaceuticals to mental health and family dysfunction, preach self-acceptance and resisting society’s pressures to conform. His fanbase, the Black Hearts Club, is built on what’s described as a shared sense of unconditional love and communal support.

His live shows are about connecting with everyone in the venue. Early in tonight’s sold-out Wembley Arena show, he urges we treat everyone with respect. Later, while introducing Anarchist, he declares: “Never be afraid to be yourself. If people don’t like you for it, they’ve got no fucking imagination. You’re fucking brilliant just the way you are. “People still misunderstand me. They’ll never fucking get it. But it doesn’t matter because we’ve got each other.” 

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Live Reviews Music

Bilk bring chaos to Omeara

The chanting (“Bilk! Bilk! Bilk!”) begins even before the band take the stage. The chaos begins soon after they do. Within the opening minute of Fashion, as any partially filled pint cups are still being hurled towards Omeara’s stage, the audience starts bouncing. Not long after, the first body’s up in the air. As if on cue, the moshing kicks off. And so it goes, pausing only when singer-guitarist Sol Abrahams spots a punch being thrown and has the punter ejected. (Tonight’s manifesto is clear: have fun, go wild, and don’t be a dick.) Not even the relatively restrained Part And Parcel — featuring just voice and guitar — is complete without a crowd surfer.

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Live Reviews Music

Paul McCartney stands tall at The O2

Paul McCartney’s been at it for over half a century. He’s long since lost the element of surprise – yet tonight, during what’s billed as his 50th London show, that’s exactly what he delivers.

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Interviews Music

Lightning prevails for Arno Carstens

London in January is cold, dark, and miserable. Yet Arno Carstens is excited to be back in the city he called home while making his third solo album.

“My memories of recording ‘Wonderful Wild’ are that there was a lot of serious thinking and kind of hard work but amongst the angst was just great fun and partying,” he says, thinking back to 2009. “Most memorable was all the good friends I made.

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Travel

A cutting-edge capital

There’s more to London than a giant clock, that bridge from the nursery rhyme, the Queen’s humble abode and a few famous churches. Home of the 2012 Olympics, London is one of the world’s most cutting-edge cities with a host of lesser-known attractions that are a great reflection of the city’s present – and future – rather than its illustrious, but very well-trodden, past.