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Live Reviews Music

Jack White’s evolution continues

When Jack White joined his first group, Goober & The Peas, playing drums was just part of the gig. They dressed like Grand Ole Opry cowboys, so he was forced to wear the whole Hank Williams getup, from the Nudie suit to the 10-gallon hat. It wasn’t an easy fit for a kid from Detroit. But White soon realised that the band were getting noticed purely because they’d swapped out the predominant uniform of jeans and T-shirt. At that point in the early ’90s he learned that, even through something as innocuous as an outfit, he could decide what message he wanted to project.

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Live Reviews

Pat Metheny gives Hammersmith the Side-Eye

On stage, Pat Metheny’s almost always stationary. He’s either looking down, face obscured by hair, coaxing his Ibanez PM signature model to sing with impossible beauty. Or he’s sitting, finger-picking an acoustic guitar with the utmost precision and grace.

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Live Reviews Music

Of Monsters And Men: joy will prevail

Of Monsters And Men are about so much more than songs with irresistible “la-la-la” choruses, impossibly sunny melodies, kooky lyrics about pet dragonflies and talking trees, and sudden jubilant outbursts of “hey!”. Of Monsters And Men are about spreading joy.

For 90 minutes, the Icelandic band cast their spell over the masses packed into a sold-out Eventim Apollo, resulting in almost involuntary behaviours: mass singalongs, synchronised clapping, arms-raised sway-dancing, and 5,000 voices shouting “hey!” as one.

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Live Reviews Music

The Cult rebuild a Sonic Temple

Sonic Temple isn’t just The Cult’s highest-charting album (#3 in the UK, #10 in the US). It’s the one that gave them three bonafide Top 40 hits that they still play almost every night.

It’s the one that saw them double down on the all-out rock approach of predecessor Electric and (with titles like New York City and American Horse) take a big swing at the American market. It’s the one that convinced Metallica to hire producer Bob Rock.

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Live Reviews Music

Eddie Vedder finds intimacy in Hammersmith

London’s Hammersmith Apollo isn’t what you’d call intimate. And yet Pearl Jam frontman Eddie Vedder makes the 3,600-seater venue feel like a living room, or a cosy campfire singalong. And it’s not just because he’s surrounded by a vintage radio, reel-to-reel tape player, battered suitcases (complete with The Who sticker), various old-timey speakers, assorted instruments, and, later, an actual campfire complete with starry sky backdrop.