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Interviews Music

Il Divo make it look effortless

Take one look at the four men in Il Divo and you’re almost guaranteed to think theirs must be a lifestyle of leisure – yachts, cognac, and lazy afternoons, occasionally interrupted by serenading some beautiful Italian ladies.

At the very least their Armani suits, dashing looks, impeccable grooming and opera training suggest a quartet of staid gentlemen who listen to Puccini in their drawing rooms.

But, in reality, American David Miller, Frenchman Sebastien Izambard, Swiss Urs Buhler, and Spaniard Carlos Marin have a slightly less refined taste in music.

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Interviews Music

Jose Gonzalez: quiet introspection

Born in Sweden to an Argentinian father who loves Latin American music and western pop classics, it would have been easy for Jose Gonzalez to suffer from some cultural confusion.

His first musical outings involved playing bass in a rock band, flirting with hardcore and dipping into indie rock — before pulling out the plug.

The 28-year-old’s stark solo album ‘Veneer’ is “an understated, moody collection” that’s all about “simple guitar, murmured vocals, and the subtlest of harmonies”, said our reviewer.

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Music Reviews

Depeche Mode at their best

Four weedy boys from Basildon (England’s answer to Poffadder) burst onto the charts — decked out in shirts, ties and suspenders — with a cheesy, irrepressibly bouncy synth-pop song about nothing really, ‘Just Can’t Get Enough’. Who’d have thought that a little over ten years later their band would be one of the biggest in the world; their tattooed, heroin-addicted lead singer would resemble an emaciated Jesus; and their dark songs would be about sex, death, religion.

It’s a transformation that can be heard on ‘The Best Of Volume 1’ and that began, gradually, after that first hit song back in 1981. Chief songwriter Vince Clarke left the group — to continue his brand of cheesy, irrepressibly bouncy synth-pop with Yazoo and Erasure — leaving the far more cynical, nihilistic Martin L. Gore to come up with the tunes.

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Music Reviews

U2 pick the hits

The video for U2’s ‘Window in the Skies’ is a montage of vintage clips, cleverly edited so that veritable icons like Bob Marley, Louis Armstrong, Jimi Hendrix, Frank Sinatra, The Clash and Johnny Cash appear to be singing the words. Cheeky maybe, but take one listen to ‘U218 Singles’ and it’s easy to hear why these four Irishmen have joined that pantheon of rock royalty.

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Music Reviews

The Killers go in search of ‘Sam’s Town’

They appeared as if from nowhere (the cultural wasteland that is Las Vegas) to became the brightest young things of 2005. Their irrepressible songs that nicked the best of Duran Duran, New Order, Depeche Mode and vintage U2 became so ubiquitous that their lyrics “I’ve got soul but I’m not a soldier” even infiltrated Robbie Willams’ Live8 set.

Some bands cope with such early success by repeating the formula, recording a difficult fuck you album to kill off the fan base, or just imploding. But these four boys from Sin City did the only thing they know how: go bigger. In every way.

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Music Reviews

David Gilmour is on an island

While Bob Geldof was convincing David Gilmour to regroup with the rest of Pink Floyd for Live 8, the guitarist played him the music he was working on. Geldof’s typically blunt response: take some speed, man.

Now, just about a year later, some of those songs appear on ‘On An Island’, an album as tranquil as the title — and Geldof’s appraisal — suggest. But like those classic blues albums that make ideal Sunday morning listening, this 10-track collection is anything but bland, forgettable background muzak. Being quieter and more personal than anything in the Pink Floyd canon only makes it more arresting than such mass consumption bombast as ‘Another Brick In The Wall’.

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Music Reviews

Pain and suffering in various tempos

“Pain and suffering in various tempos” declares the sleeve of ‘Playing the Angel’ proudly. Business as usual then for the boys from Depeche Mode? A handful of critics seem to think so, having derided the band’s first album in four years as “the same old stuff with some new bleeps and blops”. But they’re wrong.

Yes, it does draw musical inspiration from their landmark albums ‘Violator’ and ‘Songs of Faith and Devotion’ — and the lyrics are preoccupied with sex and religion, as always — but the trio’s latest offering is no cash-in nostalgia trip.

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Music Reviews

Dave Matthews Band get on up

Hard to believe, but a band with a saxophonist and violin player in its lineup, a band that plays a hybrid of funk, bluegrass, jazz and world music (usually in the same song) is the biggest rock band in the USA. Their guitars aren’t even electric for chrissakes.

But listen to the live bonus disc on ‘Stand Up’, the Dave Matthews Band’s latest album, and you’ll understand why the quintet have sold some 10-million concert tickets. Their prolonged freeform jams, mentioned in the same breath as those of the Grateful Dead, ensure that every night punters are guaranteed one helluva show.

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Music Reviews

Tori Amos is ‘The Beekeeper’

‘The Beekeeper’, says Tori Amos, is about the “struggle to find a bedrock of truth beneath the tangle of lies, mythology, casual assumptions and political manipulation that have formed the cultural landscape of the USA today”.

Complicated enough for you?

Not for the artist who once took on a different persona for each song on her album of cover versions. Or catalogued the tracks on her greatest hits collection according to the Dewey decimal system.

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Music Reviews

R.E.M. give a monster performance

“I don’t want to be Iggy Pop,” barks Michael Stipe on ‘I took your name’, the song that opens the first South African concert of R.E.M.’s world tour.

But – even decked out in a dark suit, white shirt and red tie – he’s not fooling anybody.

Behind him, the band grinds relentlessly on, all wailing guitars and pummelled drums, giving a potent song the powerhouse treatment it deserves.