On stage, Pat Metheny’s almost always stationary. He’s either looking down, face obscured by hair, coaxing his Ibanez PM signature model to sing with impossible beauty. Or he’s sitting, finger-picking an acoustic guitar with the utmost precision and grace.
More than a decade’s passed since I last saw Crowded House live. It was October 2010, according to setlist.fm, in an arena at a Cape Town casino. The band played well, and the songs sounded good. But the most memorable part of the show was the warm, casual vibe they created in a venue with all the charm of an aircraft hangar.
The Flaming Lips have a reputation to uphold. Legend has it they were signed after a record label rep caught a show where they almost burnt down the venue “with some questionable on-stage pyrotechnics”. They came up with the “headphone concert” more than 20 years ago, transmitting their live performance to audiences wearing headphones. They’ve released music on flash drives embedded inside gummies, a 24-hour song streamed on a non-stop loop, and one album across four discs intended to be played simultaneously.
On Jeff Beck’s first day recording Roger Waters’ album Amused To Death, the story goes, he showed up with a distortion pedal in his back pocket and an unplayed signature Fender ripped out of a cardboard box moments earlier. “You got an amp?” he asked. Didn’t need anything else. Just plugged in and played.
“I’m going to be honest,” singer Maynard James Keenan says before the final song of Tool’s first O2 Arena show. “I’m fucking tired. Being 58, thinking you’re 48, pretending you’re 28, it’s fucking hard work.”
The thing is, he doesn’t seem tired. And he doesn’t make it look like hard work — although even an 18-year-old would struggle to make it through the two-hour performance Tool’s just given.
“Might start writing a record & making soap,” Yannis Philippakis tweeted in March 2020, just a few days before England went into lockdown. While there’s no news on the Foals singer-guitarist’s range of bath bombs, that record is now imminent. Called Life Is Yours, it’s due next month with early reports throwing around descriptions like “euphoric”, “sunny”, and even “best of their career”.
Bloc Party: Alpha Games
Bloc Party’s Alpha Games is an album of our times. No, it’s not yet another rumination on the sociological, existential, and mental health impact of the Covid-19 pandemic. It’s not that reductive. Instead, the 12 unflinching tracks carry an underlying sense of discomfort, unease, dread; that low-level feeling surely everybody’s had over the past five years that something’s not quite right. The only relief is provided by moments of despair, outbursts of rage, and sparkles of beauty.
Trent Reznor is now a married, 57-year-old father of five who won his second Oscar for soundtracking a Pixar film. But he’s always been more than your average rock musician. And, as evidenced by Nine Inch Nails’ 2018 offering Bad Witch and the group’s still incendiary live shows, he’s also retained the conflicting brutality, insecurity, aggression, and pained beauty of his finest work: 1994’s The Downward Spiral.
Ghost’s new album, Impera, is partly about the rise of empires. It’s something they know a little about. Just over a decade ago, their debut LP didn’t even trouble the UK charts; their latest debuted at Number Two. On their last visits to London, pre-pandemic, they played at Royal Albert Hall and Wembley Arena; tonight they’re at the city’s largest indoor music venue, The O2.
Red Hot Chili Peppers: Unlimited Love
In some ways, Unlimited Love is more than just another Red Hot Chili Peppers release. It’s their first in a decade recorded with producer Rick Rubin. More importantly, it’s their first since 2006 to feature John Frusciante. His replacement, Josh Klinghoffer, is clearly a talented musician. On 2011’s I’m With You, he ably channelled the mercurial guitarist, while 2016’s more experimental The Getaway made him an integral part of producer Danger Mouse’s sonic palette.
Nils van der Linden