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Music Reviews

Bloc Party’s Alpha Games is an album of our times

Bloc Party: Alpha Games

Bloc Party’s Alpha Games is an album of our times. No, it’s not yet another rumination on the sociological, existential, and mental health impact of the Covid-19 pandemic. It’s not that reductive. Instead, the 12 unflinching tracks carry an underlying sense of discomfort, unease, dread; that low-level feeling surely everybody’s had over the past five years that something’s not quite right. The only relief is provided by moments of despair, outbursts of rage, and sparkles of beauty.

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Music

Into The Never goes down the spiral

Trent Reznor is now a married, 57-year-old father of five who won his second Oscar for soundtracking a Pixar film. But he’s always been more than your average rock musician. And, as evidenced by Nine Inch Nails’ 2018 offering Bad Witch and the group’s still incendiary live shows, he’s also retained the conflicting brutality, insecurity, aggression, and pained beauty of his finest work: 1994’s The Downward Spiral.

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Live Reviews Music

Ghost haunt The O2

Ghost’s new album, Impera, is partly about the rise of empires. It’s something they know a little about. Just over a decade ago, their debut LP didn’t even trouble the UK charts; their latest debuted at Number Two. On their last visits to London, pre-pandemic, they played at Royal Albert Hall and Wembley Arena; tonight they’re at the city’s largest indoor music venue, The O2.

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Music Reviews

Red Hot Chili Peppers feel Unlimited Love

Red Hot Chili Peppers: Unlimited Love

In some ways, Unlimited Love is more than just another Red Hot Chili Peppers release. It’s their first in a decade recorded with producer Rick Rubin. More importantly, it’s their first since 2006 to feature John Frusciante. His replacement, Josh Klinghoffer, is clearly a talented musician. On 2011’s I’m With You, he ably channelled the mercurial guitarist, while 2016’s more experimental The Getaway made him an integral part of producer Danger Mouse’s sonic palette.

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Live Reviews Music

Spoon unplug at Third Man Records

The basement is hot. Britt Daniel and Alex Fischel have had a long day. They’re playing to around 30 people who haven’t even paid to be there. And yet the Spoon duo are giving it their all.

But that’s always been the band’s approach to live performance: crank up the intensity of their studio recordings so they sound more visceral, more direct, more emotional.

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Music Reviews

Placebo capture the pain of our dying world

Placebo: Never Let Me Go

Everything’s a matter of perspective. Even as Placebo’s 2016 greatest hits album and accompanying two-year world tour reminded fans of their extensive back catalogue, it reminded the band they’d never been about commercial success or nostalgia.

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Live Reviews Music

EMF are all Go Go Go at The Water Rats

Recording a new album after almost 30 years is, in a word, risky. Will it be good enough to match your classics? Will it be similar enough for diehard fans to like it? Will it be different enough to keep them interested? Will anyone else even notice it’s out?

Performing said album live from start to finish to a crowd who’ve never heard it before is, in a word, insane.

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Music Reviews

Tears For Fears reach The Tipping Point

Tears For Fears: The Tipping Point

The road to The Tipping Point was long and (yes) winding.

There were the initial “speed dating” songwriting sessions with flavour of the month hitmakers. There was the fully completed album of wall-to-wall “bangers” all intended to top the pop charts. There was Curt Smith’s disappointment in the results, prompting him to consider leaving Tears For Fears again.

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Music Reviews

Spoon get real

Spoon: Lucifer On The Sofa

The opening 20 seconds of Spoon’s tenth album tell you all you need to know. In-studio banter and the sound of instruments being tuned are universal shorthand for “this music was recorded by people playing in a room together”. And that’s exactly the spirit that the instantly compelling Lucifer On The Sofa embraces.

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Live Reviews Music

IDLES punch and embrace Brixton

Gigs, they say, should start with a bang. Literal pyrotechnics, epic walk-on music, a high-speed hit song, even a straightforward city-based greeting are all designed to grab an audience’s attention right away.

Someone forgot to tell IDLES. Or the band just didn’t listen. Either way, they’ve come up with something even more effective.